LIFT EVERY VOICE AND SING
Lift Ev’ry Voice and Sing” was first performed in public in Jacksonville, Florida as part of a celebration of Lincoln’s Birthday on February 12, 1900 by a choir of 500 schoolchildren at the segregated Stanton School, where James Weldon Johnson was principal.
Singing this song quickly became a way for African Americans to demonstrate their patriotism and hope for the future. In calling for earth and heaven to “ring with the harmonies of Liberty,” they could speak out subtly against racism and Jim Crow laws—and especially the huge number of lynchings accompanying the rise of the Ku Klux Klan at the turn of the century. In 1919, the NAACP adopted the song as “The Negro National Anthem.” By the 1920s, copies of “Lift Every Voice and Sing” could be found in black churches across the country, often pasted into the hymnals.
In 1939, Augusta Savage received a commission from the World’s Fair and created a 16 foot tall plaster sculpture called Lift Ev’ry Voice and Sing. Savage did not have any funds for a bronze cast, or even to move and store it, and it was destroyed by bulldozers at the close of the fair.
During and after the American Civil Rights Movement, the song experienced a rebirth, and by the 1970s was often sung immediately after “The Star Spangled Banner” at public events and performances across the United States where the event had a significant African-American population.
In Maya Angelou’s 1969 autobiography, I Know Why the Caged Bird Sings, the song is sung by the audience and students at Maya’s eighth grade graduation, after a white school official dashes the educational aspirations of her class.
In 1990, singer Melba Moore released a modern rendition of the song, which she recorded along with others including R&B artists Anita Baker, Stephanie Mills, Dionne Warwick, Bobby Brown, Stevie Wonder, Jeffrey Osborne, and Howard Hewett; and gospel artists BeBe and CeCe Winans, Take 6, and The Clark Sisters. Partly because of the success of this recording, “Lift Ev’ry Voice and Sing” was entered into the Congressional Record as the official African American National Hymn.
Just thought I would enlighten y’all about the “Black National Anthem”. I still do not agree with substituting this song for the National Anthem. It seems there is always someone, on both sides of the aisle, who are dead set on making this presidential election about race and divisiveness.
likwidshoe
robert108
global warrior
RebTex
Hannitized