Making Light Of 9/11
Harold And Kumar Go To...Gitmo?
The conflict in Iraq may go on for years, but it appears the end is nigh for Hollywood’s ponderous, heavy-handed treatment of the war on terror. That’s because most new movies about the subject this season are lowbrow and cringe-inducing comedies.
Over the next few weeks, theaters will be screening far-out fare such as an Osama bin Laden documentary by the maker of “Super Size Me”; an absurdist slam against merchants of war featuring John Cusack; a zombie soldier flick with XXX star Jenna Jameson; a stoner movie about Guantanamo Bay; and a Sept. 11 parody — yes, parody — made by Uwe Boll, a little-known filmmaker often ridiculed as the worst director in Hollywood since Ed Wood.
Just how off-the-wall is the genre getting? Over the past six months, filmgoers have been turned off by overearnest snoozers (“Lions for Lambs,” “A Mighty Heart”), low-budget losers (“Redacted”) and far worse.
With the arrival of a half-dozen comedies, however, the post-Sept. 11 movie has quite possibly reached a new low.
Remember all those comedies made after the Pearl Harbor attacks? How about movies making light of the Oklahoma City bombing? Yeah, me neither.
I’m normally a optimistic guy, but sometimes I wonder if we aren’t a culture in decline. Of course, maybe that decline is limited to Hollywood given that they keep pumping crap like this out and Americans keep not watching it.












